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    无法忘怀的旋律

    连续两个周末都在下雨。老师说,下雨天非常适合干三件事情:睡觉、学习和打牌。

    这两个周末,除了学习,唯一的娱乐就是从硬盘里翻出一部老电影。熟悉的朋友听到背景音乐就知道是《辛德勒名单》了。

    不知道多少此被这丝丝入扣的旋律所打动。

    随手摘一段乐评...

    从暗红色的衣袖中伸出一只柔弱的小手,上方有一只显然是男性的大手,正在坚定、有力地挽起这只小手。凸现在这寓意深刻的背景之上的,是老式打字机透过一条仿佛浸染过鲜血的色带打出的名单……这是一张注定要载入史册的原声专辑,不仅仅在于音乐的精彩,更在于深沉旋律后透出的悲伤和希望。

    当你凝神欣赏激光唱片上这张堪称摄影佳作的封面时,那首听过一次再也无法忘怀的旋律就会重新在耳畔响起……配乐大师约翰-威廉姆斯代表作品,著名小提琴家帕尔曼的演奏为这张原声配乐增色不少。音乐让这部感人肺腑的电影更为深沉、引人思考,重重危难中,人性的复苏成为最感人的诗篇。奥斯卡最佳原创配乐获奖当之无愧……

    Theme From Schindler's List以在I Could Have Done More中最为凄恻,描述辛德勒在战争结束后身份沦为战犯,展开逃亡,临行前”辛德勒的犹太人”送给他一只金戒指,上面刻烙”救了一个人等于救了全世界”,这段音乐中,帕尔曼的表现手法流露出相当强烈的情绪煽动力,闻之著实令人动容,影片结束时的终曲Theme From Schindler's List (Reprise),也是一段相当动人的变奏,主题以静諡的钢琴和舒缓的弦乐,在犹太墓碑的长道上徐徐流动著,这一条屈辱先人的小径,虽然无言而沈默,却让人感受到一个民族的悲伤和坚强,令人百感交集,这段主题变奏虽然没有华丽煽情的摧化手法,但却完美呼应了Rememberance的追思与感念,深刻而绵长.

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